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Grateful Dead Records

The Grateful Dead - One From The Vault (2xCD, Album) (VG+ / VG+)

The Grateful Dead - One From The Vault (2xCD, Album) (VG+ / VG+)

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Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)

Both CD's are nice glossy condition with no visible scuffs or surface marks. CD case is also in good shape, solid and intact.

Release Notes


1-1. Introduction 0:46
1-2. Help On The Way / Slipknot! 7:52
1-3. Franklin's Tower 6:58
1-4. The Music Never Stopped 5:29
1-5. It Must Have Been The Roses 5:05
1-6. Eyes Of The World / Drums 14:32
1-7. King Solomon's Marbles / Stronger Than Dirt (Or, Milkin' The Turkey) 6:36
1-8. Around & Around 5:59
2-1. Sugaree 7:56
2-2. Big River 4:50
2-3. Crazy Fingers / Drums 13:08
2-4. The Other One 5:33
2-5. Sage And Spirit 3:24
2-6. Goin' Down The Road Feeling Bad 7:13
2-7. U.S. Blues 5:29
2-8. Blues For Allah / Sand Castles & Glass Camels / Unusual Occurrences In The Desert 21:01

Country: UK

Released: 1991


Issued in a fat double CD case with six-fold booklet.

Package Design, Fine Line Design, Petaluma, CA.
Album Artwork, © 1991 Grateful Dead Merchandising, Inc.

℗ 1991 Grateful Dead Merchandising, Inc.
Made in The UK

ANALOG: This album was recorded on an Ampex MM-1100 sixteen track tape recorder on August 13, 1975 at The Great American Music Hall in San Francisco, CA. There was no noise reduction or other signal processing used during this recording.

DIGITAL: In December, 1990, at Club Front in San Rafael, CA., the sixteen track tapes were played on a Studer A820 tape reproducer and mixed on a Neve Series VR mixing console. A pair of Meyer Sound HD-1 studio monitors were used to monitor the mix. The stereo mix derived from these tapes was mastered onto a Sony PCM-1630 Digital Audio Processor. The PCM-1630 was fitted with an Apogee Filter Enhancement. The output from the PCM-1630 was recorded on a Sony DMR-4000 Digital Master Recorder using Ampex 467 Digital Audio Tape. A Sony DTA-2000 Digital Tape Analyzer was connected to monitor any errors created by the system.

DIGITAL: On January 29-30, 1991, the digital audio master tapes were taken to Oceanview Digital Mastering in Los Angeles, CA., and loaded, digitally, from another PCM-1630/DMR-4000 system into the Sonic Solutions Digital Audio Editor. The editor was then used to assemble the songs into the final CD format, edit time between songs and to move the set break from between Marbles and Around and Around to between Around and Around and Sugaree. These edits were necessary to achieve the proper time per CD as dictated by the CD format. The CD track index codes were also prepared at this time. The final version was then transferred, digitally, back to the PCM-1630/DMR-4000 system to create the final tape from which this CD was mastered. Test CD's were also made at this time from the Sonic Solutions CD Maker.

Thus we have an "Analog Digital Digital" or "ADD" CD.

Every effort has been taken to preserve the quality of the original recording and to provide superior sonic reproduction.

Barcode and Other Identifiers:

Barcode 029667891523
Barcode 0 29667 89152 3
Matrix / Runout GDCD24015 10151771 02 % MADE IN U.K.
Matrix / Runout GDCD24015 20151771 01 % MADE IN U.K.

Recorded At The Great American Music Hall
Recorded By Wally Heider Recording
Mixed At Club Front
Mastered At Oceanview Digital Mastering
Distributed By Grateful Dead Records
Copyright (c) Grateful Dead Merchandising, Inc.
Phonographic Copyright (p) Grateful Dead Merchandising, Inc.

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