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Outernational Sounds,His Master's Voice,His Master's Voice

Shankar Jaikishan* / Rais Khan - Raga-Jazz Style (LP, Album, RE) (VG+ / NM or M-)

Shankar Jaikishan* / Rais Khan - Raga-Jazz Style (LP, Album, RE) (VG+ / NM or M-)

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Media Condition: Very Good Plus (VG+)
Sleeve Condition: Near Mint (NM or M-)

played once or twice. EX++ vinyl. sleeve is as new


Release Notes

Tracklisting:

A1. Raga: Todi
A2. Raga: Bhairav
A3. Raga: Malkauns
A4. Raga: Kalavati
A5. Raga: Tilak Kamod
A6. Raga: Miyan Malhar
B1. Raga: Bairagi
B2. Raga: Jaijaiwanti
B3. Raga: Mishra Pilu
B4. Raga: Shivranjani
B5. Raga: Bhairavi

Country: UK

Released: 2017

Notes:

First cat# on spine, 2nd on sleeve rear & 3rd on B-side label.

Issued in a heavy weight matt card sleeve (replica) & 180gm vinyl (replica labels).

On labels: Recording first published 1968

On sleeve rear: 
Manufactured & Distributed by 
The Gramophone Company Of India Limited
A member of the EMI Group of Companies
International leaders in music, electronics and leisure
DUM DUM • India

Contains "Outernational Sounds", "His Master's Voice" and classical "EMI" logos.

Back cover contains the description of the album, photo of Shankar Raghuvanshi & Jaikishan Panchal and a short description of each composition.

Side one:

Raga Todi: This morning melody depicts a serene emotion with a tinge of pathos in it.

Raga Bhairav: This early-morning raga conveys a mood of quiet dignity.

Raga Malkauns: This midnight melody, lively and vivacious in character, is immensely popular in India.

Raga Kalavati: This raga, usually expounded towards midnight, conveys a mood of extreme urge.

Raga Tilak Kamod: This early-night raga is known for its bright, colourful appeal.

Raga Miyan Malhar: This night melody, conventionally associated with the rainy season, unfolds a serious, profound mood.

Side two:

Raga Bairagi: This raga is expounded in the early hours of morning. The mood is one of quiet introspection.

Raga Jaijaiwanti: This night melody conveys a romantic mood.

Raga Mishra Pilu: Essentially romantic in appeal, this raga can also lend itself to a variety of moods. It is usually associated with the third quarter of day.

Raga Shivanjani: This early-night raga evokes an atmosphere of separation and sorrow.

Raga Bhairavi: This is a morning melody. But convention has it that it can be rendered as a concluding piece in a classical recital at any hour of day and night.

Track titles appears slightly different on labels and on a back cover. They are printed as Raga: ... on labels, Raga ... on the back cover and without word "Raga" at all. Also tracks A6 and B4 are titled as "Raga: Mianki-Malhar" and "Raga: Shiv-Ranjani" on LP-labels.

Barcode and Other Identifiers:

Matrix / Runout 2YJW (S) 21
Matrix / Runout OUTERNATIONAL 001 A CGB@D&M -42428-
Matrix / Runout OUTERNATIONAL 001 B CGB@D&M -42428-

Lacquer Cut At Dubplates & Mastering

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